So yesterday I received the following email from the Romance Writers of America:
Dear Marni Bates,
Due to the failure to obtain the minimum number of entries (5 percent of total contest entries) required by the contest entry deadline, the Young Adult Romance category of the 2014 RITA® Contest has been canceled.
I’m not going to lie, I’m really disappointed.
Awards are important. And I’ve spent the past hour staring at my screen trying to figure out how to discuss them without coming across as narcissistic. Here’s a sad truth: It requires bravery for a female author to say that she believes her work to be worthy of consideration. It’s a whole new level of scary. It’s the kind of statement that you instantly want to take back before somebody says, “You aren’t a real writer! Your stories are light fluffy things of absolutely no consequence!” because that would make you want to crawl up into a very tight ball in the back of your closet.
Which is why I still feel obligated to preface this post with something self-depreciating.
Not that I expected to be nominated…
Not that I had a shot at reaching the finals…
I’m mostly disappointed that so many of my peers won’t get the recognition they deserve…
And yes, I absolutely believe that gender plays a large role in this. If you want to read an amazing article on what it’s like to be a female YA author, I highly recommend this piece by Sarah Rees Brennan. It’s spot on.
Here’s a small excerpt from her article:
Common Responses To Female Authors Promoting Themselves I Have Seen, Over and Over Again.
“Why do you think you are so great? You are not so great.” (By promoting yourself/talking about yourself or your work, you indicate that you do think you, and/or your work, has some value, and there is so much pushback, conscious and unconscious, to that.)
“Don’t reblog fan graphics/talk about your characters/talk about your MALE characters (what do you think you are, some sort of harlot?)/be so smug about your books as if you think they might be any good. It makes it seem like you think you’re so great!”
“Do you expect PRAISE?” (I don’t! I never do. Most ladies I know don’t, being accustomed to expecting constant negativity. But it would be nice if people didn’t talk about praise as if it is some incredible, celestial prize that a women should never even dare to dream of getting, and the very idea of them getting it is to be scorned.)
“She’s writing romance and that’s girly and it sucks./She’s writing YA and that’s girly and it sucks./She’s writing literature and men write it better and she sucks./She’s writing about a girl and girls are annoying/shallow/not literature.”
So I repeat: Awards are important. Why? It’s a source of validation. And for a whole bunch of us, it means that we will feel valued instead of dismissed. Especially if you write books that end with a happily ever after.
Now I will always love the Romance Writers of America. I’ve met so many unbelievably talented people through that organization. My life is a hundred thousand times more awesome because of the friendships that have formed, too!
But they have made a huge mistake.
The Young Adult community within the RWA first began to feel alienated last year when the organization decided that all books in that category must “focus primarily on the romantic relationship between two adolescents.”
Here’s the problem: YA is all about coming of age. It’s about figuring out your own identity at a time in life where everyone has an opinion about your future. And yes, YA protagonists often navigate complicated romantic relationships, but the happily ever after is usually built on the character’s ability to know what they believe in. Young Adult fiction can also mean just about anything. Historical. Suspense. Horror. Sci-fi. Contemporary. Humor. Drama. There are YA books that include all of those elements…and have a romance too!
So here is the position that most YA writers found themselves in. Do I really want to spend fifty bucks when I’m pretty sure my book is going to be instantly disqualified? Do I want to feel guilty about focusing more on the growth of a primary character instead of an overarching romance?
And for a bunch of people the answer to that was a resounding, “Oh, hell no!” Some of my friends are going to leave the organization because they feel so frustrated/alienated by these policy changes.
Now that whole category has been eliminated.
I know you might be sick of hearing this, but…AWARDS ARE IMPORTANT!
This community is important! This is our refuge when the rest of the world tells us that we are girly and that we suck. So I hope the RWA will remove the problematic language and consider opening the category to late submissions.
I’d love to hear your opinions!